Showing posts with label ward bond. Show all posts
Showing posts with label ward bond. Show all posts

Monday, January 6, 2014

The Searchers (1956)



John Wayne: The Searchers is one of the finest westerns ever made.

Credit one of John Wayne's best performances and stunning cinematography - in VistaVision - by Winton Hoch (The Quiet Man, She Wore a Yellow Ribbon) for making this a must-see film.

The film opens in Texas in 1868. Ethan Edwards (Wayne) arrives at his brother's home. Numerous questions surround his past. What has he been doing in the three years since the Civil War ended? Why does he have so much money? Is he suggesting he was involved in illegal activities?

Edwards barely has time to settle in when he joins a search for missing cattle. That theft of livestock proves a ruse so Comanche Indians can wipe out his brother's family. The two daughters, Debbie (played by sisters Lana and Natalie Wood) and Lucy (Pippa Scott), are taken captive. Edwards and his nephew, Martin Pawley (Jeffrey Hunter), launch a years-long quest to find Chief Scar (Henry Brandon) and rescue Debbie. Lucy is found - dead.

Edwards loathes Indians, is happy to kill as many as he can - and their sources of food. He welcomes a chance to gum up their chances in the afterlife too. That hatred begins to seep over into his feelings towards Debbie. He appears willing to gun her down rather than take her back to live with her surviving family.

There's a nice romance with Laurie Jorgensen (Vera Miles) waiting, and waiting some more, for Martin to come home. Comic relief largely comes courtesy of Charlie McCorry (Ken Curtis). He's sweet on Laurie, but is about as bright as a burned out light bulb. Keep an ear open for his pronunciation of fiancee. It's the best laugh in this nearly two-hour film. Ward Bond is very fine as part-time reverend, part-time leader of the Texas Rangers, Rev. Samuel Johnston Clayton. Hunter stands up very well next to Wayne.

The film's ending is powerful, recreating the opening scene in reverse with no words spoken.

Watch John Wayne: The Searchers.

RATING: 10/10

FUN FACTS: Jeffrey Hunter also appeared in The Longest Day, with John Wayne.

John Qualen, who appears as Lars Jorgensen, was Berger in Casablanca.

Olive Carey, who plays Mrs. Jorgensen, made her last film appearance in Billy the Kid vs. Dracula.

Hank Worden, appearing as Mose Harper, earned his last credits with David Lynch's Twin Peaks.

Beaulah Archuletta, who ends up as Martin Powley's wife at one point, made her debut in Key Largo.

The Searchers marked Pippa Scott's first movie role.


Monday, December 23, 2013

Fort Apache (1948)




What kind of movie is Fort Apache supposed to be?

Yes, I know it's a western.

But is director John Ford's 1948 effort a slapstick comedy? Romance? Drama?

It's hard to pin this movie down because its mood is all over the place. That makes for a frustrating viewing experience despite some very fine cinematography by Archie Stout and William Clothier. In fact, the cinematography might just be the best thing about this movie.

Lt. Col. Owen Thursday (Henry Fonda) is the new commander of Fort Apache. This career military man is definitely all business. He doesn't take kindly to being posted in the middle of nowhere and wants to move on - pronto.

Thursday is strictly by the book and doesn't take kindly to his daughter, Philadelphia (Shirley Temple), romancing 2nd Lieut. Michael Shannon O'Rourke (John Agar). Temple doesn't make much of an impression in this, one of her last film roles before retiring from the big screen in 1949. Agar was her husband when Fort Apache was shot, although they'd divorce in 1950. The romance takes up a good chunk of Fort Apache's nearly two-hour running time. Sigh.

Then there's the comedy, which also eats up a fair part of Ford's film. There's extended sequences with new recruits that go on too long. Even Temple gets mixed up with a comedic scene about living quarters that aren't very liveable.

Oh, there's the social life of the fort too, including a couple of dances. There's jokes about alcohol. Most of this screen time is tiresome. Fonda does get a good line when a stash of booze is found in the hidden inventory of Silas Meacham (Grant Withers). There's a suggestion the hooch is for a religious purpose. "Pour me some scripture," Thursday says.

Good grief, what's this movie about?

John Wayne doesn't do much for most of the film. One of his most promising scenes, when he meets with an important Apache leader, Cochise (Miguel Inclan), ends as soon as the two men meet.

Thursday is a great character. It's a wonder how he earned such a rank because he has zero people skills and shows little understanding of military strategy. Oh, he doesn't listen to his advisers either. It's too bad audiences don't get to learn more about what makes him tick. There's a suggestion of a past relationship with Capt. Sam Collingwood (George O'Brien). Each man made a decision in the past. It earned Thursday a promotion and Collingwood a ticket to Fort Apache. What happened? We never find out.

Fort Apache is a frustrating film to watch. Stick with My Darling Clementine or Stagecoach.

RATING: 4/10

FUN FACTS: Anna Lee, who appears as Mrs. Emily Collingwood, was Sister Margaretta in The Sound of Music . Her husband in Fort Apache is Ward Bond.

Movita has a small role as Thursday's servant.

George O'Brien's last film was in another Ford movie, Cheyenne Autumn.


UPDATE: Shirley Temple died on Feb. 10, 2014. She was 85.

Tuesday, July 30, 2013

The Maltese Falcon (1941)



What a pair of debuts.

This film noir classic was the first screen credit for director John Huston and actor Sydney Greenstreet. The Maltese Falcon (1941)pushed actor Humphrey Bogart into superstardom for the next 16 years until his death in 1957.

Yet for all of this, plus a challenging plot that needs to be jotted down to be followed, The Maltese Falcon didn't win a single Oscar. Yes, Huston's first effort earned three nods (supporting role for Greenstreet, screenplay for Huston and best picture). But The Maltese Falcon didn't win a single Academy Award. Oh well, Citizen Kane lost out to How Green Was My Valley for best picture. How many Oscars did James Cameron's Titanic win again? Life ain't fair.

How best to simplify this film's story? Here goes. Brigid O'Shaughnessy (Mary Astor) wants help from private eye Samuel Spade (Humphrey Bogart). She fears her sister's safety is in jeapordy because of the man she is with. A generous retainer puts Spade and his partner Miles Archer (Jerome Cowan) on the job.

The gumshoes soon learn O'Shaughnessy is more than liberal with the truth. Archer gets knocked off and Spade finds himself up to his eyeballs in a cat and mouse game with O'Shaughnessy, Joel Cairo (Peter Lorre) and Kasper Gutman (Sydney Greenstreet) for possession of The Maltese Falcon. This trio all wants to get its hands on the priceless statue laden with rare gems. Gutman has one of his hoods, Wilmer Cook (Elisha Cook), unsuccessfully track and intimidate Spade. "The cheaper the crook, the gaudier the patter," Spade spits out at one point.

Spade falls for O'Shaughnessy, but knows she keeps conning him.

Cairo is the bumbler of the bunch, a hood who keeps getting outclassed by Spade. "Look what you did to my shirt," he tells Spade after he gets roughed up. Lorre gets the few funny lines in this film. "Our private conversations have not been such that I'm anxious to continue them," Cairo tells Spade after the private eye suggests they meet one-on-one.

Gutman - love the name, Greenstreet is a very large man - is the most civil of the bunch. But his years-long determination to find the falcon means he's OK with a little violence to get his prize. Spade has to match wits with all these characters while police suggest he murdered Archer because of his affair with his wife, Ida (Gladys George). For such a smart guy, Spade's choice in women looks a little iffy. Even Ida wonders if her lover has blood has on his hands. She asks him, "Sam, did you kill him?," shortly after her hubby's demise.

The Maltese Falcon reminds me of Key Largo , reviewed on this site last week. In both films, Bogart's characters need to be as sharp mentally to watch wits with his foes. He'll use violence if necessary, but his words and tactics are effective weapons too.

Great film. Great cast. Someday I even might be able to follow the plot without a scratch pad. Watch this film.

RATING: 9/10

FUN FACTS: Greenstreet's screen time was brief. He appeared in 25 productions between 1941 and 1949 including another Hollywood classic, Casablanca.

Ward Bond, a detective in The Maltese Falcon, was Bert in It's a Wonderful Life

Barton MacLane, another policeman in The Maltese Falcon, was Gen. Peterson in television's I Dream of Jeannie.

Some interesting facts about The Maltese Falcon from A.M. Sperber and Eric Lax's Bogart A.M. Sperber and Eric Lax:

1. Geraldine Fitzgerald was the studio's first choice to play O'Shaughnessy. Astor was second choice. Fitzgerald wasn't interested because it was Huston's first film.

2. Warner Brothers had to make all of Greenstreet's fashions. He weighed 357 pounds.

Tuesday, January 25, 2011

My Darling Clementine (1946)

Victor Mature's take on Doc Holliday is the perfect prescription for western movie fans.

Henry Fonda gets top billing in John Ford's 1946 western, but Mature is a real treat to watch as the former doctor who now sends people to the graveyard instead of restoring their health.

MATURE'S DOC A STANDOUT

The town of Tombstone is the perfect place for the Shakespeare-quoting killer with a taste for champagne and lots of readin'.

Mature's Doc speaks softly and is tormented by who he used to be and who he has become.

The four Earp brothers are herding cattle to California. When Wyatt (Fonda), Morgan (Ward Bond) and Virgil (Tim Holt) ride into Tombstone, youngest brother James (Don Garner) is killed by cattle rustlers.

LISTEN TO PA, OR ELSE

Wyatt, ex-marshall of Dodge City, decides to enforce the law in Tombstone. Old Man Clanton (a great Walter Brennan) and his boys stand out as the likely culprits. The ominous music when pops and one of his boys appear on camera the first time is a pretty good hint these aren't peace-lovin' folks.

But give Brennan top marks in his secondary role as one mean, cruel father. Here's a guy who whips his sons when they mess up. "When you pull a gun, kill a man," is one of the practical pieces of advice he offers his offspring.

Holliday and Earp aren't chummy buddies at first, but a respect does grow between the two men. The now bad doctor, who is keeping time with saloon girl Chihuahua (Linda Darnell), confronts his past when old flame Clementine Carter (Cathy Downs) ends up in Tombstone after a long search for her much-loved beau.

FORD'S GREATEST WESTERN?

Veteran movie critic Roger Ebert hails My Darling Clementine as director John Ford's greatest western. Those are high words of praise for the American filmmaker whose resume also includes The Searchers, The Man Who Shot Liberty Valance and Rio Grande.

Besides several great performances, there is plenty of humour in this film ranging from slapstick to clever word play. The scenery is beautiful and the composition of some of Ford's shots in this black-and-white film is inspired.

The DVD I watched included an interesting 42-minute documentary about the preview print screened compared to the final version released to theatres. Learn why producer Darryl F. Zanuck wasn't entirely happy with Ford's cut of My Darling Clementine.

Rating: 8/10

FUN FACTS: Mature appeared in the 1976 film, Won Ton Ton: The Dog Who Saved Hollywood. Linda Darnell was Hollywood's youngest leading lady when, at 16, she appeared in Hotel for Women in 1939. Her next fact isn't fun, but sad. Darnell died in a house fire in 1965. She was 41. Darnell was watching Star Dust, a film she made in 1940, at the time. Cathy Downs moved from westerns to science-fiction/horror films with credits in Missile to the Moon and The She-Creature in the 1950s.

My Darling Clementine (1946, 97 minutes). Cast includes Henry Fonda, Linda Darnell, Victor Mature, Cathy Downs, Walter Brennan, Tim Holt, Ward Bond, Alan Mowbray, John Ireland, Roy Roberts, Jane Darwell and Grant Withers.