Showing posts with label gladys george. Show all posts
Showing posts with label gladys george. Show all posts

Tuesday, July 30, 2013

The Maltese Falcon (1941)



What a pair of debuts.

This film noir classic was the first screen credit for director John Huston and actor Sydney Greenstreet. The Maltese Falcon (1941)pushed actor Humphrey Bogart into superstardom for the next 16 years until his death in 1957.

Yet for all of this, plus a challenging plot that needs to be jotted down to be followed, The Maltese Falcon didn't win a single Oscar. Yes, Huston's first effort earned three nods (supporting role for Greenstreet, screenplay for Huston and best picture). But The Maltese Falcon didn't win a single Academy Award. Oh well, Citizen Kane lost out to How Green Was My Valley for best picture. How many Oscars did James Cameron's Titanic win again? Life ain't fair.

How best to simplify this film's story? Here goes. Brigid O'Shaughnessy (Mary Astor) wants help from private eye Samuel Spade (Humphrey Bogart). She fears her sister's safety is in jeapordy because of the man she is with. A generous retainer puts Spade and his partner Miles Archer (Jerome Cowan) on the job.

The gumshoes soon learn O'Shaughnessy is more than liberal with the truth. Archer gets knocked off and Spade finds himself up to his eyeballs in a cat and mouse game with O'Shaughnessy, Joel Cairo (Peter Lorre) and Kasper Gutman (Sydney Greenstreet) for possession of The Maltese Falcon. This trio all wants to get its hands on the priceless statue laden with rare gems. Gutman has one of his hoods, Wilmer Cook (Elisha Cook), unsuccessfully track and intimidate Spade. "The cheaper the crook, the gaudier the patter," Spade spits out at one point.

Spade falls for O'Shaughnessy, but knows she keeps conning him.

Cairo is the bumbler of the bunch, a hood who keeps getting outclassed by Spade. "Look what you did to my shirt," he tells Spade after he gets roughed up. Lorre gets the few funny lines in this film. "Our private conversations have not been such that I'm anxious to continue them," Cairo tells Spade after the private eye suggests they meet one-on-one.

Gutman - love the name, Greenstreet is a very large man - is the most civil of the bunch. But his years-long determination to find the falcon means he's OK with a little violence to get his prize. Spade has to match wits with all these characters while police suggest he murdered Archer because of his affair with his wife, Ida (Gladys George). For such a smart guy, Spade's choice in women looks a little iffy. Even Ida wonders if her lover has blood has on his hands. She asks him, "Sam, did you kill him?," shortly after her hubby's demise.

The Maltese Falcon reminds me of Key Largo , reviewed on this site last week. In both films, Bogart's characters need to be as sharp mentally to watch wits with his foes. He'll use violence if necessary, but his words and tactics are effective weapons too.

Great film. Great cast. Someday I even might be able to follow the plot without a scratch pad. Watch this film.

RATING: 9/10

FUN FACTS: Greenstreet's screen time was brief. He appeared in 25 productions between 1941 and 1949 including another Hollywood classic, Casablanca.

Ward Bond, a detective in The Maltese Falcon, was Bert in It's a Wonderful Life

Barton MacLane, another policeman in The Maltese Falcon, was Gen. Peterson in television's I Dream of Jeannie.

Some interesting facts about The Maltese Falcon from A.M. Sperber and Eric Lax's Bogart A.M. Sperber and Eric Lax:

1. Geraldine Fitzgerald was the studio's first choice to play O'Shaughnessy. Astor was second choice. Fitzgerald wasn't interested because it was Huston's first film.

2. Warner Brothers had to make all of Greenstreet's fashions. He weighed 357 pounds.

Saturday, July 2, 2011

The Roaring Twenties (1939)

A bang-up cast puts some major pep into The Roaring Twenties.

SCRIPT USES A SLEDGEHAMMER

There's nothing subtle in this gangster film. Even worse, the screenplay doesn't miss a chance to conveniently bring characters back together, in New York City of all places. One character has a grudge against another? Guess who'll meet up later? Prepare to give this script a lot of latitude with the liberties it takes poking at one's suspension of disbelief.

Still, James Cagney, Humphrey Bogart and Gladys George are fantastic in this 1939 effort by Raoul Walsh (White Heat).

BOGART IS A BEAUT AS HOSTILE HALLY

Bogart delivers as the menacing, double-crossing George Hally. The Roaring Twenties really kicks into gear when he and Cagney share the screen. Much was made of a scene in Michael Mann's Heat that drew together Robert DeNiro and Al Pacino. Well, here's a similar scenario from 40 years earlier with two all-time greats.

Hally, Eddie Bartlett (Cagney) and Lloyd Hart (Jeffrey Lynn) are all First World War veterans who all met, like a lot of veterans during the Great War I'm sure, in a shell hole under German fire.

Their paths cross in civilian life. Bartlett can't find work, in a sombre nod to a problem veterans actually did face after war ended, and starts running booze during Prohibition. Hart is a by-the-book lawyer enlisted by Bartlett to help with the business side of his growing empire. Hally jumped feet first, with both arms not far behind, into a life of crime.

TWO MEN + ONE WOMAN = TROUBLE

Bartlett and Hart both have eyes for the same dame, Jean Sherman (Priscilla Lane), a sweet, young lady with a great set of pipes. Bartlett loves Jean, but she's in love with Hart. That's going to be a problem.

When Eddie isn't busy having shootouts with night watchmen and other gangsters, he is slugging Hart for messing around with his girl.

The real treat here is Gladys George (Maltese Falcon). She is perfectly cast as the wise, and weary, speakeasy owner, Panama Smith. She has a soft spot for Bartlett from the get-go, saying he reminds her of a soldier she knew. Given how this script is put together, it's a surprise Hally didn't kill him when the two were overseas.

GREAT LINES

Plenty of sharp dialogue helps power The Roaring Twenties. "What a load of ice," offers Panama when she sees the engagement ring George bought for Jean. "Go home and rescue a swimmer," chides Hally when an apparent Coast Guard vessel prepares to stop his boat loaded with hooch.

Entertaining nightclub performances of My Melancholy Baby, It Had to Be You and I'm Just Wild About Harry break up the carnage and fisticuffs.

RATING: 8/10

FUN FACTS: Paul Kelly, who appears as Bartlett's foe Nick Kelly, appeared in more than 50 silent shorts starting in 1911. Director Raoul Walsh earned his first directing credit in 1913 with The Pseudo Prodigal. Cast member Edward Keane's last film was the 1959 Japanese gangster film, Ankokugai no Koayaku.