Genesis: Sum of the Parts (2014)

Tell me why, Genesis.

Tell me why the documentaries I've watched about your band's history are tantalizing, and frustrating, at the same time.

Sum of the Parts [Blu-ray] proclaims it's the first to tell the progressive rock band's history from start to finish.

Well, no.

Genesis - The Genesis Songbook, from 2001, did much the same. That doc also included the band's last album, Calling All Stations, the 1998 release featuring Ray Wilson on vocals after Phil Collins departed the group two years earlier. Here, that disc isn't mentioned at all. Why? Not even with the bonus interviews? Do Banks and Rutherford regret not trying again with Wilson? There are some good cuts on that disc, including the title track, Congo and Shipwrecked.

The Genesis Songbook offered contemporary performances of Afterglow, Follow You, Follow Me and and a partial version of No Son of Mine with Tony Banks, Mike Rutherford and Collins. Plus, Steve Hackett played his beautiful Horizons. What a treat!

Here, the members of the band's classic lineup, the above four with Peter Gabriel, just talk. Collins sings a bit during an interview. That's it. There's snippets of concert footage, but no full cuts. Disappointing. Why not a song from each era as bonus content - the Gabriel era, Collins era with Hackett, Collins and Wilson?

Review on American Amazon site makes a very good point. Solo albums by Banks, which did little commercially, get covered, but not Hackett's material. Hackett has released a steady stream of discs since he left the band. He's still recording and touring.

Even with those complaints, Genesis: Sum of the Parts is good viewing. Diehard fans should be able to pick up some new details about the band. I know I did.

It's interesting to see some of the conflicts between these great musicians. They include Hackett starting to set aside material for a solo career when he could see his role in the band diminishing, Banks acknowledging he made noise to ensure his songs made it on albums (he doesn't seem sorry about his actions, suggesting perhaps listeners can be grateful about what they do hear on those albums leading up to Hackett's departure).

There's also some very funny lines from the band.

For example:

Rutherford on playing the double neck guitar: "It was bloody heavy."

It's also odd that the five members weren't quizzed on a possible reunion. The word was Gabriel wasn't interested in 2007 when Banks, Collins and Rutherford played Europe and North America in 2007. Only Collins gets asked about the prospect and his answer comes in the bonus interviews. There's some long silences and Collins appears a little uncomfortable. But, sorry Genesis fans, he's not interested. Collins wants to spend time with his two young sons instead. He also notes he can't play drums as well as he could because of a health issue. "I don't know if I'm interested enough," he said. "It's not on my agenda."

Need a contemporary Genesis fix? I recommend picking up Steve Hackett: Live at the Royal Albert Hall . It's a wonderful nod to his time with the band.

Genesis, what a great band. But I wish fans could see one documentary that would really, really pack a punch.

RATING: 7.5/10

FUN FACTS: Director John Eddington also helmed Pink Floyd: The Story of Wish You Were Here.

Phil Collins fans, rejoice. The Genesis frontman announced in late 2015 that he is coming out of retirement. Deluxe editions of some of his albums, including his Face Value (Deluxe Edition)(2CD) debut, are coming out in 2016.

Classic Albums: Face Value (1999)

Phil Collins was a musical giant during the 1980s.

classic albums face value offers a steady stream of interesting facts about the British musician's debut album and how he came to rule the charts between 1981 and 1991. His own music, and work with Genesis as that band evolved from prog rock to pop with him as frontman, was constantly in the charts with hits such as Take Me Home, One More Night, Invisible Touch, Mama, That's All and I Can't Dance.


COLLINS TOPS THE CHARTS


Face Value, released in 1981, sold 12 million copies and scored three Top 20 hits with In the Air Tonight peaking at No. 2 in England.

This 60-minute documentary dives right into the album that launched Collins' solo career. Don't leave the room in the opening minutes.


Collins, who took over as frontman of British prog-rock group Genesis in 1976 after six years backing lead vocalist Peter Gabriel on drums, wasn't even planning to do a solo album 30 years ago.


Face Value came to be because of the break-up of his first marriage and his desire to learn how to use recording equipment.


The album's creation, he said, was if he had "painted a few pictures in my room and someone wanted to look at them."


A DRUMMER EMBRACING A DRUM MACHINE


The lyrics to the album's first song, In the Air Tonight, were improvised. Collins discusses the track's use of a drum machine. "The drummer would get bored playing anything like this," he suggests.


We learn why Collins decided to record his own version of Behind the Lines, the opening track of the Genesis album, Duke.


An early version of I Missed Again, a second single from the album that soared on the charts, is played.


Collins describes the instrumental, Hand in Hand, as something that would fit into a Disney cartoon. That's an interesting observation. Collins wrote five songs for the 1999 animated film, Tarzan. You'll Be in My Heart spent 19 weeks at No. 1 on Billboards's Adult Contemporary chart.


COLLINS LEAVES IF LEAVING ME IS EASY


There's a generous excerpt of Collins performing If Leaving Me is Easy live. He dropped the mournful tune from his set lists because he tired of concert-goers making noise during the quiet number.


This Classic Albums episode packs plenty of punch with a series of interviews with musicians who played on the album, the production team and even Atlantic Records co-chairman Ahmet Ertegun and string arranger Arif Maradin, both of whom have since died.

Genesis bandmates Tony Banks and Mike Rutherford and band manager Tony Smith. Here.


Genesis sideman, and Collins' collaborator, Darryl Stuermer. Check. Trombonist Lui Lui Satterfield. Present.


Bassist Alphonso Johnson offers some neat insights about his role on the album too.


Horn aranger Tom Tom Washington reveals he had no idea who Collins was prior to working with him on Face Value. Guess he didn't have The Lamb Lies Down on Broadway in his LP collection. Indian violinist L. Shankar was part of this effort too.


British guitar god Eric Clapton, who guested on The Roof is Leaking, is sadly missing. Instead, there's just a photo of an apparently intoxicated Collins posing with the former Cream member.


Collins describes Please Don't Ask as the most intimate of the tracks he wrote for possible use on Face Value. "I've never really written anything like that since," said Collins. But instead, the song appeared on the great Genesis effort, Duke. Yet, there's no explanation why this powerful song was left off Face Value. Pity. But this music fan strongly recommends Duke as the best Genesis album with Collins at the helm.

RATING: 9/10

FUN FACTS: Wikipedia page dedicated to Collins offers some impressive stats about his solo career. As of 2000, he sold 150 million albums. Collins, Paul McCartney and the late Michael Jackson are the only three musicians who have sold 100 million albums-plus as a member of a group and a solo act.

"This record crept up behind everybody," said Collins near the documentary's end.
"Suddenly I had another thing to do apart from Genesis."

The Collins juggernaut would peak in 1985 when No Jacket Required was released. Sussudio and One More Night both hit No. 1 in United States. No Jacket Required went triple platinum in that country.
Collins, now 60, announced his retirement in early 2011. Genesis fans hoping for a reunion of the classic Genesis line-up of Banks, Gabriel, Collins, Steve Hackett and Rutherford mourned the news.